![]() This technique works with all effects (also color board works on titles) so for example if you want to have certain look for some period of time simply add clean title to top track for that time and add effect to it. This way everything is rendered straight to broadcast specs and you don't have to hassle that much with compound clips. So why not just build clean title in Motion 5, put that to top "track" before starting color correction and add broadcast safe effect to it. ![]() So titles process everything below in Final Cut Pro X even with effects applied to those. I also love compound clips but those can make your projects really complex and another thing is that you have to render everything once again after you apply filter to compound clip. For example if you color correct in Final Cut Pro X it's very easy to create illegal colors and to get colors back to legal you're supposed to create compound clip and then apply broadcast safe effect to it. One thing I love in After Effects are adjustment layers and I just realized you can actually use titles as effects in Final Cut Pro X and they behave just like adjustment layers (actually you can go much further in Final Cut Pro X). Each of these behave little bit differently in Final Cut Pro X. You can make generators, titles, transitions and effects to Final Cut Pro X with Motion 5. I hope it’s of use to you all and saves you some time in the edit! If you enjoy it, please feel free to share it on social media, YouTube, forums, or anywhere else.I love the collaboration between Final Cut Pro X and Motion 5. This is where I publish all of my color grading tools and post-production assets.Ĭlick here to download the free Cinecolor adjustment layer now. I’ve made the adjustment layer available for free download through my Cinecolor platform. Final Cut Pro Adjustment Layer: Free Download It will be called: Cinecolor – Adjustment Layer.ĭrag it on top of your footage and make any adjustments as you see fit. To use the adjustment layer, simply locate it in your Titles browser inside of FCP. Once you’ve copied the entire folder structure into the Titles subfolder, you can now open Final Cut Pro, and it will be available for use. ![]() It can be located at: Users > Username > Movies > Motion Templates > Titles Drag the main folder into your Motion Templates subfolder. Once you’ve downloaded your package (linked to below), follow these steps to install the adjustment layer: But I’ve saved you the step and made my adjustment layer available for free download below.īut first, here’s how to set it up – Installing The Adjustment Layer If you have Apple Motion on your computer, it’s possible to manually create an adjustment layer there, and then publish it to Final Cut. Then, simply drag the layer over as much of the edit as you need. Rather than applying a LUT to every shot individually, you could apply it once to an adjustment layer. It allows you to make global changes to anything from color grading to visual effects, which can speed up your workflow significantly.įor example, you might want to give an entire scene a warm color wash. But you can download my free adjustment layer here, which will have you up and running in FCP within minutes.įor anyone new to video or photo editing – An adjustment layer is an invisible clip (technically a title in FCP) that you can drop on top of your entire edit, or just a small sequence of shots. Final Cut Pro does not come with a built in adjustment layer, like you might find with Premiere Pro or other Adobe editing software.
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